August 24, 2019

A surprise discovery from Apollo 11 lunar samples

As we look back at the 50th anniversary of the Apollo 11 Moon landing, Toby Smith notes that the most interesting science that came out of the mission was a bit of a surprise. Smith, a senior lecturer in astronomy at the University of Washington, gave a talk at the most recent meeting of Astronomy on Tap Seattle.

“There’s only one reason Apollo existed—to beat the Soviet Union to the surface of the Moon,” Smith noted. Few considered the mission to be scientific. “It wasn’t fully embraced by the scientific community even in its day, even among planetary scientists.”

But they figured as long as they were there, they should do some sort of science.

“This little bit of science they did fundamentally changed how we view not only the Moon, but the Earth-Moon system and our solar system,” Smith said.

The Apollo 11 landing site, the Sea of Tranquility on the Moon, is essentially an ancient lava flow, a featureless plain of cooled volcanic rock, Smith said. Think of it like Big Island of Hawaii, except you don’t really see the solidified lava on the Moon. The surface is soft, ground down and rounded off into a soft powder by billions of years of impacts. As Neil Armstrong observed just after his first step, it has the consistency of flour. That consistency almost accidentally led to the mission’s best science.

An Apollo Lunar Sample Return container on display 
at the Destination: Moon exhibit at the St. Louis Science
Center in 2018. (Photo: Greg Scheiderer)
Armstrong spent about 15 minutes of the two-and-a-half hour Moon walk picking up rocks and putting them into a box. At the end he collected nine scoops of lunar regolith and dumped it into the Apollo Lunar Sample Return Container (a fancy NASA term for the case for rocks) as sort of a packing material so the larger rocks wouldn’t clatter around. If they’d taken any styrofoam peanuts he might have used those instead.

Naturally, when this material was brought back to Earth, the scientists looked at it, and Smith said it just might be the most studied geological sample ever.

Smith noted that the regolith is highly angular; lunar dust is sharp.

“This is not material that was broken up by being tumbled,” he said. “This is material that was broken up by being fractured by impacts.”

It’s a diverse sample. It contains basalt, breccia (material created by impacts that shatters and sometimes melts back together), and impact spheres. There was also one unusual, bright white material in the collection. It turned out to be anorthosite, which makes up about four percent of the sample.

“It represents a piece of the original crust of the Moon long since destroyed by four and a half billion years of impacts,” Smith explained. Anorthosite is an igneous rock, like basalt, that comes from the cooling of melted rock. Basalt is created when lava moves across the ground, but Smith noted that anorthosite doesn’t work that way.

“Anorthosite forms in big pools of lava, huge pools of lava, huge chambers of lava,” he said. “As these chambers of lava slowly cool over time, the anorthosite floats to the top.”

“If this was found on the Moon it must mean that at some point early in the Moon’s history it must have been almost completely molten,” Smith added. This information made scientists re-think their notions about the origins of the Moon.

“Before Apollo there was no indication that the whole, entire Moon was almost completely melted,” he said.

The leading theory about the formation of the Moon these days is that something pretty big, about the size of Mars, smacked into the early Earth, and that material flung into space by the impact eventually coalesced into the Moon. The catch is that computer simulations of this event don’t often result in a completely molten Moon. So more study is needed. The lunar samples have been under constant scrutiny for the last 50 years, and Smith says he’s interested to see what new information can be gleaned from those samples as new analytical technology is developed.

Astronomy on Tap Seattle is organized by graduate students in astronomy at the University of Washington. The next gathering is set for Wednesday, August 28, 2019 at Peddler Brewing Company in Ballard.

June 30, 2019

Seattle Astronomy talks Apollo anniversary at Tacoma libraries





Greg gave the first of his series of talks about Apollo 11
June 29 at the Kobetich Branch of Tacoma Public Library.
Seattle Astronomy is doing our small part in celebrating  the 50th anniversary of Apollo 11 and the first human landing on the Moon. Greg Scheiderer will give six talks as part of the Tacoma Public Library system’s summer reading program.

The talks, titled “Moon Walk: Apollo 11 and a Man on the Moon,” will explore the extraordinary shared experiences of the Apollo missions, look at the history that got us step-by-step up to the giant leap, share some of the iconic photography of Apollo, and, since it’s the summer reading program, offer a list of Apollo readings for adults and kids alike.

The first talk was given on Saturday, June 29, 2019 at the library’s Kobetich Branch. The rest of the schedule is as follows:
You can also find schedule information on our calendar, in our Facebook events section, and on the library’s summer reading club events calendar. Come out and join us for a fun look back at Apollo 11!

Here’s our Apollo reading list!

April 12, 2019

Destination Moon exhibit opens tomorrow at Museum of Flight


Apollo 11 command module Columbia. Photo: Eric Long,
National Air and Space Museum, Smithsonian Institution
The long-awaited exhibit Destination Moon: The Apollo 11 Mission, opens April 13 at The Museum of Flight. The centerpiece of the exhibit is the mission’s command module Columbia, which is on the last leg of a two-year, four-city journey that is the historic spacecraft’s first since being parked at the Smithsonian Air and Space Museum in Washington, D.C. in 1971. The Columbia took astronauts Neil Armstrong, Buzz Aldrin, and Michael Collins to the Moon for the first Moon landing. The exhibit will be here through September 2, including the date of the 50th anniversary of the giant leap, July 20, 2019.

While some common elements of the exhibit have traveled to all four cities—Destination Moon stopped in Houston, St. Louis, and Pittsburgh prior to its Seattle trip—each museum has been able to put its own spin on the artifacts. At the Museum of Flight, Destination Moon represents an expansion of the Apollo exhibit that opened in May two years ago. (Here’s our article about the exhibit.) It’s here the the Museum of Flight has an edge, with the exhibit including two enormous F-1 engines that powered the launch of Apollo missions. Other museum artifacts are also included, as is a gallery about the legacy of Seattle-area industry, astronauts and engineers to the space program.

Your correspondent with the Apollo 11 command module 
Columbia in August 2018 at the St. Louis Science Center. 
Photo: Greg Scheiderer
Visitors can get pretty close to Columbia, but they can’t go inside. However, they can do so virtually through an interactive 3-D tour created from the Smithsonian’s high-resolution scans of the interior of the spacecraft.

The exhibit promises to be extremely popular. A free preview for museum members last weekend was well attended, and a host of special events for the first weekend are likely to draw many visitors. We were fortunate to see the exhibit in St. Louis last summer; it was near the end of the run and it wasn’t at all crowded. Waiting might be a good option if seeing it early and often isn’t a big deal for you!

The Columbia is a big deal artifact. I spent hours with it in St. Louis and a good bit of time at the member preview this week. Don’t miss this great opportunity to see a super cool piece of space history!

March 22, 2019

Seattle is just like Mars, and other lessons from a 3-D trip

Attendees at the most recent gathering of the Seattle Astronomical Society went on an entertaining and informative 3-D trip to Mars, and learned that Seattle is just like the Red Planet.


Antonio Paris
Our tour guide was Dr. Antonio Paris, chief scientist at the Center for Planetary Science, assistant professor of astronomy and astrophysics at St. Petersburg College in Florida, and author of Mars: Your Personal 3D Journey to the Red Planet (Center for Planetary Science, 2018).

Paris said he loves Mars and expects that humans will be going there sooner than later.

“I suspect that, the way things are going, probably in about 10 to 15 years we’re going to be on Mars,” he said, adding that he doesn’t think anyone is going to go it alone.

“Mars, in my personal opinion, is going to be an international effort, both with corporations as well as the government,” Paris said.

The book was something of a spinoff of an exhibit about Mars that Paris helped put together at the Museum of Science and Industry in Tampa. The exhibit proved pretty popular, and the book seemed the next natural step.

Proceeds from book sales support the work of the Center for Planetary Science.

Paris featured fantastic 3-D images of a great many Martian geological features in his presentation. While his Ph.D. is in astronomy, he’s really morphed into something of a rock hound.

“We are primarily geologists that are studying all of the geological features here on Earth,” he said, “and we’re trying to compare and contrast them with what we see on the lunar surface, what we see on Mercury, Venus, and all of the terrestrial planets.”

Paris called the process comparative planetology.

Ripple marks such as those shown in this photo from the 
rover Opportunity were deposited by water moving back 
and forth. Image: NASA/JPL
“If I look at something here on Earth and I can determine how that thing happened,” he said, “and I see the same thing on Mars, I can deduce that the same processes have occurred, most likely.”

That caveat was included on most of his deductions, but the comparisons are pretty compelling. For example, Paris passed around a flat piece of rock with ripple marks on it that he collected in the Canyonlands in Utah. Such ripple marks are created by water moving back and forth over the rock, and the Canyonlands piece looks exactly like stuff the rovers have seen on Mars.

Paris also showed photos of rock formations made when moving or freezing water breaks up bedrock, and wears it down into small pebbles. At least, that’s how it happens on Earth.


This set of images compares the Link outcrop of rocks on Mars
with similar rocks seen on Earth.
Image: NASA/JPL-Caltech/MSSS and PSI
“We call that either fragmented sidewalk or conglomerate terrain,” he said. Here in Seattle, especially after our recent cold and snowy weather, we just call it a pothole, and that’s how the Emerald City is like the Red Planet! Potholes all over the place!

Paris does a lot of rock hunting in the American southwest, which has a lot of Mars analog sites that scientists and NASA use in their Mars work. These include Moenkopi in Arizona, Canyonlands, the Mojave Desert, Death Valley, and the Flagstaff area.

The website for the Center for Planetary Science notes that Paris will make a presentation in Portland in September at a time and place not yet published. Dollars to Voodoo Doughnuts it will be with Rose City Astronomers. Stay tuned.

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Buying Paris’s book by clicking the link or book cover image above supports both the Center for Planetary Science and Seattle Astronomy.

March 19, 2019

Wow! Check out The Planets Online

There’s a great new website about our solar system that will blow your socks off! The Planets Online introduces viewers to a broad range of subjects in a unique, innovative, and entertaining way. The site naturally interweaves information on science, engineering, music, visual design, and technology—it could be a showcase for STEAM education (Science, Technology, Engineering, Arts, and Math).

Adrian Wyard
The site is the creation of visual artist Adrian Wyard. Followers of Seattle Astronomy may recall that we wrote about Wyard’s show The Planets Live about three years ago (story here). The concept is that Wyard uses images of celestial objects to accompany and enhance classical music. He’s done it with Gustav Holst’s The Planets, Mussorgsky’s Pictures at an Exhibition, and Dvorák’s 9th Symphony.

The core of The Planets Online is a video of a performance of The Planets by the Auburn Symphony Orchestra directed by Anthony Spain and featuring the Seattle Pacific University Women’s Choir and Wyard’s visuals. This is no ordinary video, however. If you remember when we used to get our video on plastic disks, think of The Planets Online as a video loaded with special features. As the video plays, a sidebar describes the images and who created them, offers facts about the music, pulls up Wikipedia pages and other sources about the science, throws in tidbits of trivia, and more. You can switch any of these info streams on or off depending on your interests.

Here’s a little preview video of The Planets Online.


We expect you might spend a good deal of time with the site.

There are live performances of Wyard’s work coming up this spring in Florida, Virginia, and Texas. The last northwest live performances were back in April, May, and October last year. If you missed those, you can have a little fun—and learn a few things—with The Planets Online.